The Lights, Andover 12.4.2008

Forget going down like a lead balloon. The only thing landing with a bang this past weekend was an iconic Zeppelin housing the founding grandfathers of rock - courtesy of sound-a-like UK based tribute artists, Whole Lotta Led.

For one night only a sell-out crowd spanning three generations descended on the Lights in Andover to be carried away on an amp-charged chord of seventies reminiscence.

Sets blending the classic anthem ‘Kashmir’, some hefty foot tapping along to ‘Rock n Roll’ and an inspired drum solo by Graham Twist, were balanced by a Mandolin’s hauntingly hypnotic narrative on ‘The Battle of Evermore’ – by bass guitarist, Geoff Hunt.

While the oft-copied but rarely captured genius ‘Stairway to Heaven’ sent a shiver down the spine along with the twin-neck Gibson sported by lead guitar Nick Ferris – accompanied by the nostalgic vocals of lead singer Lee Addison.

If their looks don’t fool you, their music will have you double-taking on tickets – rocking nostalgia doesn’t come any better!
Whole Lotta Led play the Arts Centre, Salisbury - May 16th.

Review by: Nick Parkins

The Brook, Southampton 21.7.2007

One member of the audience tonight remarked that ‘they have a good look’ …and this is a tribute band that doesn’t actually make a conscious effort to look like the act they portray which is something of a rarity. Whole Lotta Led like to let the music tell the story.

The Jimmy Page approved act has been treading the boards for 11 years now and have built up a formidable reputation as one of the best Led Zeppelin tributes around.

Tonight at the Brook they cemented their reputation even further with a blistering and lengthy set which included classics such as ‘Black Dog’ , ‘Rock ‘n’ Roll’ and of course the sublime ‘Stairway to heaven’ to name but a few. Special mentions should also go to the enchanting Joni Mitchell inspired ‘Going to California’ and also the encore combination of ‘Whole Lotta Love’ and ‘Communication Breakdown’.

Exuding confidence, vocalist Lee has mastered Robert Plant’s vocal style and range perfectly and the talented musicianship was both energetic and captivating.

After a truly brilliant show, the enthusiastic crowd went home more than satisfied.

Another member of the audience summed up the mood of the crowd perfectly when she stated “they are easily the best Led Zeppelin tribute I have ever seen”.

Review by: Stuart Davis

Corn Exchange, Bourne, Lincolnshire 20.4.2007

Interview with Whole Lotta Led by BBC Lincolnshire

For those times when you need something to get your blood moving, heart thumping and feet moving then look no further than a Whole Lotta Led! Music is a funny old thing. With a single note, a melody, a roaring guitar solo or a mountain moving vocal, music can elevate the senses far beyond the point of those little hairs standing on end at the back of your neck. You know the feeling. We've all been there one time or another. When we sing along to our favourite song or worship a band or singer we're not just enjoying ourselves we're (sort of) our own little tribute band. We've taken their music and made it our own. Hero worship you could call it. And Whole Lotta Led are the truest most gut wrenching, body rocking band out there representing the music of Led Zeppelin I have ever witnessed.

These are no Stars in Their Eyes look-a-likes, thankfully, but fully paid members of the rock fraternity who love their music raw, deep, emotive (and add lots more superlatives here) type of band!Without the sturdy bass and rhythm section lashing the ropes down on the good ship Led the shot-blasting vocals and machine gun guitarist would fall into the waves of the audience snapping at their feet.

Whole Lotta Led packed out the venue and they soaked up the crowds energy accompanying them along to every song they played and wow did they play their hearts out. I must admit that I am a Led Zeppelin fan and thankfully all the classic hits were there; Whole Lotta Love, Dazed and Confused, Communication Breakdown and of course Stairway To Heaven.

I was only 2 years old in 1980 when Led Zeppelin quit the music game following drummer John Bonham's death. They vowed that the band could not continue without his engine driving the group. The only time I've seen performances of them is on DVD. I'm just truly thankful that Whole Lotta Led are keeping the music and feeling of the original band alive for those who did not share in the experience of seeing Led Zeppelin the first time round.

If you get the chance don't even think twice about seeing these guys perform.

Review by: Sam, BBC North

The Mill, Banbury 2.11.2006

This was the first gig of Whole Lotta Led's latest tour with the theme taken from the album of the same name depicting how Led Zeppelin took the USA by storm. It was all done with musicianship and great songs and little hype. Whole Lotta Led took The Mill by storm last night in much the same way.

It must be difficult to maintain the level of intensity of performance the sell out crowd witnessed last night. Even if it is the first night of a new themed tour it's a cold Thursday night in Banbury but there was nothing cold about this full blooded performance the audience were privileged to witness. This was no "going through the motions" display.

Playing every number from the HtWWW album and the LZ set from LZ's 1972 tour (including the acoustic set) WWL's performance was spot on.

There is a brief lull after the lights go down and the final drone of the intro tape echoes away and BANG! it's straight into Immigrant Song. What a riff, what power and perfectly done. It sets the scene for the rest of the evening. I saw LZ twice and have many of the bootlegs - WLL play the numbers just like Zepp but with something of their own in there as well. The arrangements and solos although obviously Zeppelin are sufficiently different that no matter how many times you've played the albums you can't be sure what is coming next. On the other hand, when a piece needs to be exactly as Zepp played it then WLL don't disappoint either, for example the solos in Whole Lotta Love and the outro in Moby Dick. And they improvise it looked as through the Heartbreaker solo was all but done when it was going so well Nick took it around again!

I had the privilege of being introduced to the band prior to the event and I found they were a really decent bunch of blokes obviously committed to giving the crowd a great evening and an authentic experience for what for many would be their first experience of live Led Zeppelin music. Although individually relaxed there was an air of expectation of what they had to deliver. Almost as though they had to get it right you never get a second chance to make a first impression. If you can bear the tedium of travelling and waiting around in dressing rooms it must otherwise be a great job playing Zeppelin songs every night to excited onlookers. Despite the journey and the waiting, finding enthusiasm wasn't something WLL had to fight hard to do.

The crowd were a mixed group divided between mid-late teens and late 50's. Mainly a male audience, but not all male as yes, there were women in the audience too so the Zeppelin "across the board appeal" survives and continues through WLL.

The electric stuff is pure Zepp and I found myself enjoying the acoustic set complete with mandolin. On disc I often skip to the next electric number but it is a tribute to WLL that they play the acoustic stuff so well it is entertaining right from the off. The way they start it off keeps you guessing and you're drawn right in.

Moby Dick. A bloke stood next to me said "I've been waiting for this all night" and he would not have been disappointed. What a performance! Amazing drums! Close your eyes and your listening to John Bonham. Feel your body move to the power of the bass drum. Not every drum solo you see will be a great one. Here is the exception.

I was disappointed not to see a violin bow in Dazed and Confused. Nick has the chops so why not the bow? The sounds he gets with his pedals are pure Page with his violin bow; I think it would have been more dramatic with one, especially the delayed reverb section when Page hit his stings with the bow and pointed to the audience for the delayed WHACK! Not a major disappointment though in an extended Dazed that covered all Zepp's bases. Having griped, I should say Nick leaves you with the impression you've just heard Page in his heyday. And he has a Theremin.

How do you sing like Robert Plant? Well, it's not easy but Lee does a great job. Some songs suit his voice better than others but always you know it's Zepp. Lee's very relaxed stage manner between songs showed the audience the human face of the band. Here were fans of Zepp's music having a great time playing their music and putting in heart and soul so although they are clearly technically proficient they are so much more than that.

The rhythm section holds any band together and having mentioned the talent on display in Graham on drums a special mention must be made for Geoff who never put a foot wrong on bass and held the songs together while Nick was away on vocal/lead interplay with Lee. Talking of interplay, the interplay between Geoff and Nick in Bring it on home was great too; call and response between guitar and bass. I would have liked to see Geoff perform a bass solo maybe from Communication Breakdown perhaps when WLL do their Blueberry Hill Tour!

It was Geoff with mandolin weaving his course around Nick's acoustic that gave WLL a unique take on the Zepp acoustic set. Geoff also played keyboards on Stairway to Heaven (another highlight) and I'd have liked to see him play keys on Since I've Been Loving You to fill out the sound on that particular number. And what about Thank You complete with organ improv? Zepp played that in 1972.

WLL played for almost 2.5 hours with barely a break so value for money both in terms of quality and length isn't an issue. I left with ears ringing with great music superbly performed and ringing from the volume as it increased towards the set's end!

Get out and see them they're worth a journey too if they're not playing at your local. I travelled 1.5 hours to get there, others I met travelled further/longer. My point is they are a bit special so worth the effort.

As I write this they are on stage in Frome. Many happy faces looking on.

Geoff Campbell

Rock City, Nottingham 16.9.2006

Tribute bands can vary wildly in terms of quality and entertainment-value so it’s normally something of a lottery when you go to see one. In the absence of the fantastic Dread Zeppelin touring I thought I’d give Whole Lotta Led a go instead to see what they could make of some of rock’s classic songs.

Arriving downstairs in Rock City mid-way through a number, the first thing I looked for was – stupidly perhaps, I admit - any physical resemblances between the musicians on stage and Led Zeppelin. The similarities were non-existent but the guys on stage could have been doppelgangers for four other celebs; lead singer = Roger Daltrey, drummer = a young Keith Moon (maybe these two should have been in a tribute band called The Whom instead), guitarist = Peter Stringfellow (sorry, harsh I know), and bassist = Chris Langham (comedian currently in a spot of bother with the old bill, sorry, even harsher).

The first full number that I heard was, ‘In My Time Of Dying’, a meandering 11 minute stroll through slide guitar land. Singing and musicianship was all of a very high standard and made a very good job of imitating the original song. The audience was generally in the mature age bracket, shall we say, and seemed to be enjoying the show with some dancing occurring around Zimmer frames.

Next up was the bluesy 7+ minute long, ‘Since I’ve Been Loving You’, and soon afterwards the instrumental, ‘Moby Dick’, complete with obligatory 10-minute drum solo. These are all good songs but when the singer mentioned later that they were having to cut the set short due to Rock City’s timetable it made you wonder whether playing a few shorter, snappier numbers might have been more appropriate.

Having said that they did also play, ‘Rock ‘n Roll’ and ‘Custard Pie’, a couple of great songs for a live set. Inevitably ‘Stairway To Heaven’ was played towards the end with the guitarist using a nice double-necked Gibson before proceedings were topped off with ‘Whole Lotta Love’. It’s the first time that I’ve seen a Theremin being played on stage and to be honest I could barely stop myself laughing. I know Jimmy Page used one but that was 30 years ago and it just doesn’t look very rock n’ roll downstairs at Rock City in 2006. You have to admire the effort and attention to detail though.

Overall, Whole Lotta Led do a very good job of paying tribute to Led Zeppelin and particular mention must go to the drummer who was really ‘giving it some’ all night, despite not looking a day over 16.

Recommended for all fans of Led Zep or even if you’re open-minded and just want a good night out listening to four quality musicians playing some quality old songs.

Review by Jimbob

Wyvern Theatre, Swindon 24.2.2006

"'Whole Lotta Led' don't just stick to the songs as they were originally played, they add their own style and are stars in their own right. "

The fantastic Led Zeppelin tribute band, Whole Lotta Led, returned to the Wyvern Theatre to a very grateful audience on Friday the 24th of February.

Being a big fan of the Zep but having never seen the band, I decided to check out the tribute group 'Whole Lotta Led' and now it seems I am big fan of theirs as well. These guys are so professional and so spot on at being a tribute to Led Zeppelin that they take the meaning of the word homage to a much higher level.

The lead singer has such an overwhelming stage presence, it's hard to take your eyes off him and the lead guitarist is one of the best players I have ever seen. The highlight of the whole gig was when they performed 'no quarter'. They didn't make it a 40 minute long version but it didn't feel far off. The crowd went wild for the instrumental sections and the whole house got into it in a big way. It was clear to see why their shows are sell outs in Swindon and with their being such a age range in the crowd, it proves that really good music just keeps on getting fans down the years.

Just to prove a point, I would have to say the youngest person in the audience looked around 12 years old and I didn't see any signs of him being dragged along by an over enthusiastic mum or dad!

'Trampled under foot' and 'Kashmir' sent every one into a frenzy and are the type of songs that make the hair on my arms stand on end every time I hear them.

'Whole Lotta Led' don't just stick to the songs as they were originally played, they add their own style and are stars in their own right. All of the band had their chance to individually shine and nailed all of their solos. The drummers' solo was especially breath taking.

They have a big following already but they left Swindon with quite a few more fans. One in particular can't wait for them to return to the town!

Review by Kelly Stooke

Mr Kyp's, Poole 22.12.2005

GREAT to see lead vocalist Lee Addison and the rest of the Whole Lotta Led team (Geoff Hunt - bass, Graham Twist - drums, and Nick Ferris - lead guitar) return to Kyps for another amazing Led Zepp set.

This band are one of the few that my friends and I never miss. As soon as the tickets go on sale we've got them!

It would be near on impossible to create a Led Zep clone band from scratch due to the originals being so special and one of a kind. The only way to do it would be to assemble some very talented musicians who together really love the music. Now you know where Whole Lotta Led come from!!! The enthusiasm is infectious.

The set list was slightly different to the last Kyps Gig, which always helps to keep things fresh for followers of the band. However all the Zepp favourites were played with real style including Stairway to Heaven, Rock & Roll and Whole Lotta Love. A real treat was No Quarter, which sounded amazing! The beginning of the song (which I always thought was a Moog Keyboard or something) was played by Mr.Geoff Hunt on Bass. A surreal sound, which I hope, they include in the set for the next Kyps visitI cannot stress this enough, GO SEE THIS BAND! True I like Led Zepp and obviously that's why I go to see them, but I am not a hardcore fanatic. I just love the mood that these guys create. No warm up band. None needed. Just pure musical talent.

The gigs at Kyps are always sold out or very close to capacity even midweek just before Christmas! So when you are looking at the Kyps events page and you see Whole Lotta Led are playing, get your tickets quick and when you are there work your way to the front of the crowd. I will be there and you can thank me for recommending Whole Lotta Led to you!

Review by Jasper Stephens

Mr Kyp's, Poole 22.12.2005

With a Google search revealing some 386,000 results for the words 'Led Zeppelin,' it appears as if most things about this band have already been said. But those many under-30's fans packed tightly amongst us elder veterans might be surprised to know that Zep played the Boscombe Royal Ballrooms, (now the Opera House), in late 1971. It was, perhaps, the heavy rock equivalent to Elvis appearing at the Winter Gardens, and even with the ticket tightly clenched in your hand, reality and belief didn't hit until Page, Plant, Bonham, and Jones actually walked onto the stage. And even then, Zep in Bournemouth was hard to get our head around. Such incredible luck, and on our doorstep, it was one of those gigs-of-a-lifetime; a golden memory. But then, at the age we were, marriage and offspring soon followed, with finance dictating that any further outings, especially something like a trip to Knebworth in 1979, were out of the question. So, to be presented with this should-be deja-vu, we can thank our stars that Whole Lotta Led are here as a safety net to cover for our youthful romantic and carnal excursions.

Whole Lotta Led's dedication is to the music rather than any 'look-alike' temptation, and by recognising and avoiding this, they are able to excel at their art. The journey through the historic Knebworth set slipped away like early morning mist on a breeze, with deliveries of the now classic Kashmir, Black Mountain Side, and Achilles Last Stand et all; each thunderously appreciated by this wide-ranging age-span of an audience. With oodles of merchandise on sale just inside the door, the band's T-shirts list dates well into next year, so it won't be too long before the Kyps' stage plays host to this superb band once again.

Review by Alan Burridge

Theatre Gwynedd 27.10.2005

"Hey, hey, mama, said the way you move Gonna make you sweat Gonna make you groove"

Whole Lotta Led were playing their first gig in Bangor, North Wales despite them being formed in 1996 and having toured the UK virtually non-stop ever since! My mate Bob has seen them a few times before and kept telling me how 'awesome' and 'brilliant' they were but, as he's a G3 nut (Satriani, Vai & Malmstein please - he'd rather forget about the Fripp fiasco), I took his recommendation with a hefty pinch of salt, especially as he reckons Keith Emerson is a better keyboard player than the man who in my opinion invented Rock keyboards, a certain Mr R.Wakeman!! I mean ...you have to suspect someone who holds such clearly erroneous opinions like that don'tcha?

Anyway, this time, Bob wasn't too far off the mark. I might not go so far as to call Whole Lotta Led 'awesome' (excepting a couple of bits) but 'brilliant' is a word I'd happily pin onto a review of their set.

Opening with 'The song remains the same' and comfortably moving through Zep classics such as 'Nobody's fault but mine', 'The Lemon Song', 'The Ocean' and 'The Rover' the band had settled down to a good first half set .When singer Lee Addison said it was time for us to get 'Moby Dick-ed' some members of the audience left their seats at the thought of a 20 minute drum solo. Silly Bastards!! They missed one of the finest examples of rock drumming I've ever seen. I can't tell you how long it did last because it was so entertaining but drummer Graham Twist would certainly have made Mr Bonham proud with this example. The way he knocked the be-jeezus out of that shiny green kit was worth the £12 ticket price alone in my opinion. I don't often agree with my mate Bob but this part of the show was indeed worthy of 'awesome'.

The second half set was the entire Led Zep IV album. Starting (natch) with 'Black Dog', the wonderfully swampy bass lines delivered expertly by the Fender Precision wielding Geoff Hunt, then, straight into the instantly recognisable hi-hat opening of the hard-driving but unimaginatively named 'Rock & Roll'. There followed a complete change of pace with bass player Geoff picking up the Mandolin to transport us to the world of Hobbits with 'The Battle of Evermore' - Addison's vocals supplemented by drummer Twist singing the Sandy Denny part, not in some weird falsetto either but sung normally and to surprisingly good effect.

Then guitarist Nick Ferris picked up his twin necked Gibson and, as we'd already had 'The song remains the same' this meant just one thing ...it was 'Stairway' time. Ferris's guitar work on 'Stairway' is another example where Bob's 'mot de jour' of 'awesome' might comfortably be applied. This guy is no mean plank-spanker and certainly knows his way around a fretboard

By now, if the massive grin on singer Lee Addison's face was anything to go by, the entire band was clearly enjoying themselves. The set finished as you'd expect with a wonderfully moody version of the mighty (and relatively topical in a kind of perversely ironic way) 'When the levee breaks'.

To well-deserved cheers, whistles and applause from the Bangor crowd the band exited stage right only to return after a quick towel-down to launch into an encore with the all-time classic 'Dazed and Confused'. Then, the number they'd kept 'til the end - the number they just had to play - 'Whole Lotta Love'. Expertly done as we'd now come to expect with Nick Ferris seemingly enjoying himself performing some quite dubious hand movements on the Theramin while Addison shredded his vocal chords for our entertainment, the band slid 'Communication Breakdown' seamlessly into the middle of 'Whole Lotta Love' before finishing off to an instant and much-deserved standing ovation from the Bangor crowd.

As bands go I think these guys are pretty special - they're tight, know their stuff and deliver it superbly. As tribute bands go I think these guys are in a league of their own. Page, Plant, Jones and Bonham they're not ...but then they never claim to be either. They don't try to look like Led Zeppelin - they just SOUND like Led Zeppelin. They let Zep's music do the talking and they play it well with the passion and respect it deserves.If you like Zep (and who reading this newsletter doesn't?) and you've not seen these guys, make a point to go and see them when they're next on near you - hell, travel miles to see them if you have to! Trust me ...you'll be glad you did.

Review by Gareth Jones

Mr Kyps, Poole 8.7.2005

Led Zeppelin Tribute Whole Lotta Led are something quite special. The first thing to know is that they are a sound-a-like band not a look-a-like one. This means that when you are lucky enough to be at one of their gigs you realise that it is the music that comes across as the most impressive aspect. It is the music that makes them special due to the fact that while you stand there singing away to all the Led Zep favourites you soon find yourself closing your eyes and letting the vibes wash over you and taking you away. All the songs are performed to the very high standards that you would expect from a professional working band. However it is the feel of the original music that the band really emulates.

Whole Lotta Led play a fantastic mixture of Led Zep tunes including the classic's Stairway To Heaven, Whole Lotta Love, Dazed & Confused, Immigrant Song and Rock'n'Roll. They also entertain you with a few slightly lesser known tracks like the beautifully sung Thank You. No review would be complete without mentioning the drum solo! I have never seen better drumming live before. The rendition of Moby Dick is worth the entrance fee alone! So when you throw in amazing bass and lead guitar talent you can start to imagine what an all round great time you are going to have.The vibe of the music has an effect on all who attend the gig, even the lead vocalist Lee Addison cant seem to stop grinning to the crowd between songs, The rest of the band, Geoff Hunt - bass, Graham Twist - drums, and Nick Ferris - lead guitar all really enjoy themselves and this really spreads across to you as a member of the audience. So while you read my review and decide if you want to go or not, take it from me "do it"! Go, you wont regret it or forget it!! I for one will definitely be there!

Thanks once again to whole lotta led for a mind blowing gig! Cheers!

Review by Jasper Stephens

Corn Hall, Cirencester 4.9.2004

Whole lotta love for Led-a-likes

Reviewer Kenny Savage was on a stairway to musical heaven as top Led Zep tribute act Whole Lotta Led's recent Cirencester appearance.
The sturdy stone walls of Cirencester's Corn Hall reverberated with the thunderous sounds of Led Zeppelin's hits, as performed by Whole Lotta Led.
Arriving whilst the band were having their final sound check we were bombarded by painful decibels almost pushing you back a few steps.
Fortunately, by the time the concert began the correct balance had been set and the bodies of the audience soaked up any surplus decibels. This is not to say it was not loud, but what else can you expect from a Led Zeppelin tribute?
The real thing?
The band are reputed to be one of the top Led Zeppelin tribute bands. Two sets were played and it must be said that the sound was as close to the real thing as you are likely to get.
The first set was very vibrant and lively, covering some of the well known and lesser-known numbers.
The second set started acoustically and went on to Stairway to Heaven, Whole Lotta Love and more of the most popular numbers.
The audience of all ages, obviously Zeppelin fans, were well entertained and obviously happy with the performance.
Their next performance in the area is on November 13th at Stroud Subscription Rooms, I recommend that fans in the area should be there.

Review by Kenny Savage for BBC Radio Gloucestershire

Harlequin Theatre, Redhill 3.9.2004

Whole Lotta Led the highly acclaimed Led Zeppelin tribute band kicked off a terrific storm of classic guitar/thumping rock music at The Harlequin Theatre, Redhill last Friday 3rd September.

The group have been on tour since January and have already played at venues as far apart as Nottingham, Portsmouth and Cardiff. They opened their set to a very enthusiastic crowd and their opening riffs certainly did not disappoint. The gig started with a blast of dry ice and the band emerged from the darkness to the assembled throng in exactly the theatrical manner of the original group. Then followed a very eclectic set with songs from the Zeppelin repertoire including 'Since I've Been Loving You", 'The Battle Of Evermore' and 'Dazed And confused'.

After a relaxing beer brerak (interval) the band mounted what looked like a 1960's inspired short acoustic set with Nick Ferris, Geoff Hunt and Lee Addison sitting on stools. After this interlude it was back to the rip roaring songs Zeppelin fans had come to hear. I was pleased to note that the band also played what had played what has become something of an anthem - 'Stairway To Heaven'. The set also featured 'Heartbreaker' which spawned a spectacular guitar solo by Nick Ferris that seemed to spin off into eternity. Graham Twist also performed a tub thumping, energetic drum solo in 'Moby Dick', into which he seemed to put his whole heart and sole. So enthused were the crowd that they demanded an encore and the band were happy to oblige.

Whole Lotta Led certainly gave it all their best on Friday and I am sure that if I had been lucky enough to see the original line-up, which featured guitar wizard Jimmy Page, frontman Robert Plant, bassist John Paul Jones and the ill-fated drummer John Bonham I would have been blown away.

Review by William Dartnall for Surrey Mirror and Dorking and Leatherhead Advertiser Series (The Guide)

Swan Theatre, Worcester 4.6.2004

A Fitting Tribute

Led Zeppelin fans were climbimg their very own Stairway To Heaven as this excellent tribute band turned back the clock to the glory days of the 70's supergroup.

The band had not played live for about three weeks and were clearly delighted to be back on stage as they ripped into their set from the start with some blistering rock and roll.

An early 'Dazed And Confused' was delivered in terrific style with vocalist Lee Addosin suitably hyperactive as he strutted the stage a la Robert Plant.

A packed house roared the band on to great heights in the second half as they built up to a terrific 'Stairway To Heaven' and 'Kashmir', most people's quintessential Zeppelin track, and 'Whole Lotta Love.Nick Ferris was superb on guitar and there was some magnificent work on drums by Graham Twist, including a great ten minute solo.

Tribute bands proliferate nowadays but Whole Lotta Led are something special and to quote a Zep title, the Good Times should far outweigh the bad in the days ahead.

Steve Johnson - Copyright, Birmingham Evening Mail 8.6.04

Plinston Hall, Letchworth 10.10.2003

OK, OK, OK, dust down your vinyl from the loft and other backroom storage areas - it's nostalgia time. As I grab a pew in Letchworth Garden City's The Three Magnets for a pre-show drink, it seems that Tony, Colin and Pete have worked their way through discussing all ten Led Zeppelin studio albums and have graduated onto an inquisition into who, from our mutual schoolyard, went along to the old Palace cinema to see 'The song remains the same', back in 1976.

Of course, you've been able to get the music from that particular live Zep-bio feature on CD for sometime. Sadly, the Eastcheap-based cinema was demolished some years back to make way for Poundstretcher. Moving swiftly on, we are gathered at Letchworth's premier live music venue for what is billed as the 'only Led Zeppelin tribute band that matters'. They are called 'Whole Lotta Led'. This appears to be a fairly accurate description given that, tonight, there is no support band and we are promised two hour-long sets from the vast Zep songbook.Originally named 'No Quarter' this southwest quartet has been on the road for the last ten years amassing a huge fan-base and following. We are about to discover this expert ensemble has a doctorate in 'all things Zeppelin'.Whole Lotta Led features the brinkmanship of Graham Twist on drums, Geoff Hunt on bass, Nick Ferris on guitar and, at the helm, lead vocalist Lee Addison.

The band takes to the stage for its first set just before nine. The opener is 'When the levee breaks' with its hypnotic drumbeat intro and haunting bottleneck slide guitar riff. There is something for everyone here as the band's eclectic selection hits all the right spots. Devotees of the first two Zep albums are not disappointed with rousing versions of 'Dazed and confused' and 'Moby Dick' including a fine drum solo from Graham 'Bonham' Twist. There's even a rare airing of the 45rpm single 'Immigrant song' b-side, a song called 'Hey, hey what can I do'. But for me, the highlights of the first set are two prime cuts from Zep's slightly funky 1975 collection 'Physical Graffiti'. The first of these is 'Sick again'. The first-half closer is 'Trampled underfoot' - excellento!

Brief pause for a drink. Plinston is heaving. Great to see local band Gekko in the house tonight - don't miss them here at Plinston on October 25 supporting the Red Hot Chili Beans - yes, you guessed it, another tribute night as we celebrate 90's funk rock in fine style. Mark and Justin are here tonight to bear witness to the songs of one of the world's greatest rock bands ever!

The second set begins with two acoustic numbers - 'That's the way' and 'Going to California'. 'Achilles last stand' with its awesome, enveloping guitar work is the only song to feature from the 1976 'Presence' collection. Next up, 'Kashmir', as plagiarised by Sean 'Puff Daddy' now 'P Diddy' Coombes, but here in its original 1975 'Physical Graffiti' arrangement, unyielding, monumental, epic.In due course, axeman Nick Ferris straps on a Page-signature double-neck Gibson SG guitar and breaks into the opening chords of 'Stairway to heaven'. 'There's a lady who's sure all that glitters is gold' sings Lee Addison. Yes, folks it's sing-a-long night once again down at Plinston. The immortal 'Song remains the same' follows on as memories of many-a-band practice down at the old Leys Youth club flood back. 'Hey Tony, didn't we cover this, way back when?' The set closer is 'Whole lotta love' followed by two 'down-the-line' encores 'Immigrant song' and 'Rock n' roll'. Need I say more? Wow!

This music is very much alive and kicking. Tonight's show is testament to that. Whole Lotta Led are a truly professional outfit, superb musicians everyman yet each and everyone carrying on that fine tradition of Page, Plant, Bonham and Paul Jones to the letter. The band move onto a mammoth UK tour from next month until the end of February showcasing Led Zeppelin's critically acclaimed 1975 Earl's Court shows. Catch 'em if you can!

First set: When the levee breaks; Sick again; Dazed and confused; Hey, hey what can I do; Since I've been loving you; Moby Dick; Trampled underfoot.

Second set: That's the way; Going to California; Achilles last stand; Kashmir; Thank you; Ten years gone; Stairway to heaven; The song remains the same; Heartbreaker; Whole lotta love / Theramin; Immigrant song; Rock n' roll.

Reviewed by Alan Howard for Plinston Live. Copyright Oct 2003.

Marine Theatre, Lyme Regis 7.6.2003

DOWN BY THE SEASIDE

Tribute bands seem to be everywhere nowadays, don't they? Very often or not they're embarrassing affairs. A group of inept musicians playing bad versions of songs made famous by people they claim to be their musical heroes, even though they do nothing but disservice to them by playing.

Thankfully Whole Lotta Led who played at The Marine Theatre, Lyme Regis, the Saturday before last, DO NOT fit this category. Anyone can have a genuine affection for the music of Led Zeppelin, but it's not anyone that recreate it in quite this manner. The fact that Led Zep featured leading candidates for the greatest guitarist and drummer of all time in Jimmy Page and John Bonham respectively, as well as the incredible talents of of John Paul Jones (bass and keyboards) and Robert Plant (vocals), means that any band who attempts to emulate them have set themselves a big task.

Whole Lotta Led formed as a rock covers band ten years ago under the name No Quarter, but switched to playing exclusively Zeppelin material in 1996, going professional two years ago. An enthusiastic crowd greeted them in Lyme, and the band delivered a two hour plus set that didn't disappoint.

The first half of the show was full of Led Zep's blues numbers, of which there are plenty to choose from. The highlight for me being the band's interpretation of 'Moby Dick', a Led Zep original that features a mammoth and quite awesome drum solo that I didn't think anyone would dare recreate. But Whole Lotta Led's drummer, Graham Twist, was more than up to the task. I'm sure even Bonzo himself would have approved! You need a lot of stamina to play with such energy and flair for so long, and his performance on that track was of the same standard he played for the whole gig. In fact it was difficult to fault the rest of the band either. Geoff Hunt on bass replicated John Paul Jones' complex lines very well, his only downfall was his ropy keyboard playing on 'Stairway To Heaven' in the second half of the show which really did sound dodgy! 'Stairway' was not a lost cause, as it allowed Nick Ferris (the band's incredible guitarist) to put down his Les Paul and strap on his twin-necked Gibson SG for an ultimate wig out. Nick's best moment was still to come though. He delivered a cracking solo in 'Heartbreaker'.

Vocalist Lee Addison of course needs mentioning. A quality blues rock vocalist in his own right, he knows how to scream and shout yet still sound sweet in true Robert Plant style.Addison was there to make his own mark on proceedings and certainly did throughout the night

.A raucous 'Rock And Roll' and 'Communication Breakdown' made up a brief encore. A few were probably hoping for 'Dazed And Confused' but, with the time well past 11, it was time to bring things to a close. A great show, but guys - my ears were ringing for days! Turn it down a bit next time, will ya!

James Coles. Clarion Advertiser, 20.6.2003

Mr Kyp's, Poole 11.4.2003

Dedicated to re-creating the sounds of Page, Plant, Bonham and Jones, Whole Lotta Led have established themselves as one of the nations favourite tribute bands, and this was manifested in the fervour of anticipation in the crowd that awaited them.

Back at Mr.Kyps after a long absence, they proved well worth the wait. In front of a sell-out audience, they blistered through a monumental double-set that included the whole of Led Zeppelin IV, the seminal album that gave Stairway to Heaven to the world.Although we have come to expect a high standard from Whole Lotta Led, their meticulous dedication to emulating the distinctive sounds and vibes of the worlds favourite rock band never fails to amaze. From the searing, emotive guitar in Since Ive Been Loving You, to the rock-excesses of the drum solo in Moby Dick, Whole Lotta Led displayed a consummate level of musicianship and painstaking attention to detail in everything that they played.An all round great performance by one of the most crowd-pleasing acts around.

Fleece & Firkin, Bristol 14.3.2003

Most bands, tribute or otherwise, would not indeed probably could not tackle the complexities of Led Zeppelins music.

Whole Lotta Led, however, are not just any old tribute band. They are a four-piece who would still be one of the best rock bands around if they were playing their own material. Far from being slavish copiers, they put their own take on the music of their heroes. The notes may be Plant, Page, Jones and Bonham but the music is very much Whole Lotta Led.

When a band can play songs like Celebration Day, You Shook Me and No Quarter as well as this then you know the music of one of rocks biggest and greatest bands is in very good hands indeed. Boy, can this band rock.

This was the first gig after a lengthy tour featuring Zeppelins blues numbers, and their excitement at once again playing their own pick from the huge back catalogue was only too obvious.To their credit, they didn't just go for the easy songs, but also showed that they are more than capable of coping with some of the extremely complex epic numbers, like In My Time Of Dying, Dazed and Confused and even Over The Hills & Far Away.

How Lee Addison's voice manages the Robert Plant vocals I can't imagine. You wouldn't want to see his vocal chords after an evening at the microphone. His introductions to the songs were, well, terrible, but then so, I seem to remember, were Robert Plants. Nick Ferris's guitar work was as accomplished as ever, and bass player Geoff Hunt and their young drummer Graham Twist (whose solo in Moby Dick was very impressive) laid down as strong, heavy and dependable a beat as any band could wish for.If for no other reason, it was worth seeing Whole Lotta Led just to remind yourself of how good a rocker Whole Lotta Love actually was before it got taken over and sanitised as the Top Of The Pops signature tune.

Inevitably however the biggest cheer from the packed crowd was for the extended version of the one Zeppelin number you could put money on them playing Stairway To Heaven. Ah, rock'n'roll - you can't beat it

Keith Clark * * * * (four stars). Bristol Evening Post

Pacific Road Theatre, Birkenhead 1.2 2003

A romantic evening out with my better half was the order of the night. Although we wondered what we'd let ourselves in for, seeing a rather male dominated audience of 40/50/60 olds! attired in denim!

The venue was packed with old Rockers waiting in anticipation to re-live and play their air guitars and beat out the drums on the tables. This tribute band needed to do something special when as the lead singer Lee Addison added they were playing as a tribute to the music and the group, for which they loved and wanted for everyone to re-live through their performance. He asked who had seen them before, for which none of the audience volunteered to answer! What would they say or think at the end of the night?

Starting off with a blues mix with 'Bring it on home', 'Custard Pie', Nick Ferris - lead guitar applied his knowledge of Mr Pages riffs while Lee Addison, hit Mr Plants vocal range. 'You shook me', 'In my time of dying' warmed the audience. You could sense that the audience where warming and gearing up to the momentum of the night as the amber nectar flowed more smoothly.

The second part of the show started with an acoustic set 'Going to California', 'That's the way', again Nick Ferris showed his grasp of the Zepplin range, moving into the slower classics with the same respect as one would have for and old Harley!'No Quarter' gave the spot light to the bassist Geoff Hunt. His knowledge of Jones the rhythm behind Zepplin shone through, while Graham Twist on Drums performed a solo that did him proud which gave the audience a chance to show their appreciation. 'Moby Dick' gave Twist to a chance to show his calibre and shine. Being so young produced a fine drum solo, which showed great consistency and maturity that had the crowd on their feet!

The classic 'Stairway to heaven' had the audience singing along with Lee Addison, while Nick Ferris hit the right chords with his Gibson twin neck, sending everyone back to their echelon days of no mortgage, kids or worries! 'Gallows pole' carried on through to 'Good Times, Bad Times', the lead-off track on Zeppelin's debut album, making it clear Whole Lotta Led had made a whole lotta new friends. Through 'What is & what should never be', 'Black dog' and 'Rock'n'Roll' the train ran right till the last, with some older chaps behind the mixing desk, ripping through some of these classics themselves, as if they were on stage!

The finale ended with 'Whole Lotta Love' that sent audience in unison to a standing ovation! The penultimate track brought memories and dreams of years gone by, back to the forefront!

The dream of listening to the Zep, back performing may not happen, but this comes dammed close to all who where there, to the point of digging out the old vinyl and sticking the head phones on and singing 'Stairway' to the kids annoyance!

For a tribute band, Whole Lotta Led take the Led Zepplin story a bit further to those who weren't at Knebworth, how many years ago! If they're near you and touring don't give it a second thought!

Get down and check them out, you will not be disappointed!

JG

Central Station, Wrexham 22.11.2002

The ' Hammer Of The Gods ' came down on Central Station Wrexham, as Whole Lotta Led blew me away onto a Stairway To Heaven and Shook Me all night long.

The Led Zeppelin tribute band paid a Celebration Day to the original progressive rockers who took the World by storm.

There isn't much I don't know about Zep, and having seen them at Earls Court in May 1975, I was thrilled at the prospect of re-living that special moment in my life. Reading the hype about tribute bands is something I tend to keep an open mind about ,but on this occassion the hype was spot on, and I can see why Robert Plant has officially endorsed them as THE Zep tribute. Quite honestly it was difficult to come to terms with what I was hearing. And that's what lies at the heart of Whole Lotta Led. They are not immitators, they're sincere replicators of the highest quality. There's non of your silly wigs or over-the-top outfits, it's straight and simple Zep in your face - firing on all cylinders for over two hours.It was 99.8% in all departments, and they have to be applauded for a truly magnificent effort in taking on such an ambitious project. I was so excited at this event being held, that it rewound me to that day I saw the real thing, which still remains the definitive concert. Therefore, I was looking for the smallest blemish that would tarnish my heroes reputation. But I am not an unreasonable reviewer, and was ready to make allowances.

But it was unnecessary as the line-up of Lee Addison vocals, Nick Ferris guitars, Geoff Hunt bass and Graham Twist drums had clearly done their homework down to the finest musical detail. Looking remarkably like a young Robert Plant, Addison has the talent to really pull off his vocal style including the trademark hollering, along with some fine harmonica technique. Ferris, Jimmy Page's counterpart for the night was breathtaking as he handled the riffs and blues picks to perfection. The rhythm section of Hunt and Twist replicated the powerhouse blasts that Zep were famous for.The youngest member of the quartet, drummer Twist provided the biggest surprise of the night considering his age, showing that he is musician of incredible promise (are you listening Plant, Page and Jones!) Getting Bonzo's contribution wrong could have meant Custard Pie on his face, but he passed with flying colours particularly on Moby Dick.

The first part of the set dealt with the blues material which was the founding ethos that gelled Led Zep over the years. Kicking off with 'Bring It On Home' and finishing with 'How Many More Times' it was poigniant reminder of their musical prowess.

Mellowing a while in part two, they got into acoustic mode with 'Going To California', 'That's The Way' and 'No Quarter' which saw the foursome excell themselves vocally and instrumentally once again. Then it was back to the rock vibe with 'Good Times Bad Times', 'Stairway To Heaven' and 'Rock And Roll' which finally brought the audience out of their shell, finally filling the dancefloor. 'Whole Lotta Love' was the magnificent encore taking the night to an incredible crescendo complete with theramin, which created the weird but wonderful effects in the original song.

That's The Way to do it boys, and Bring It On Home again to Central Station soon!

By the way, if you're wondering what constitues the missing .2% : it's the words - Led Zeppelin. If you don't believe me just check - out their live album Led Zeppelin IV, 30th Anniversary Tour. This should be an inspiration for the three original members to pull their fingers out, as the World holds its breath for the long awaited reunion.

Elly Roberts

The Wharf, Tavistock 19.1.2002

It was a full house at the Wharf in Tavistock, and I can't say I was surprised.

The name Led Zeppelin is one that tends to have a certain amount of rock reverence attached to it, and it brought a mixed audience of people who enjoyed the band when it first came on the scene, plus the next couple of generations of rock fans who grew up with the legend.

Whole Lotta Led were not a lookalike band. Singer Lee Addison made that clear from the start. It was a tribute to the music, and a well constructed tribute at that. Treating everyone to songs such as Good Times Bad Times and Dazed and Confused, the audience was hooked within minutes, especially at the news that to commemorate the 30th anniversary of Zeppelin's seminal fourth album (known as Led Zep IV or Four Runes, which is the one with Stairway to Heaven, of course), the band was perform ALL of the the LP's songs in the second half. And play it they did, from Black Dog to When The Levee Breaks. Stairway, naturally, got the most rousing of receptions in a flawless rendition which even saw guitarist Nick Ferris bringing out a double-neck Gibson guitar identical to the one Jimmy Page was known for performing the song on. Overall, maybe the guitar was a little over-processed for my liking, Jimmy Page always in my mind using a more cutting tone, and singer Lee Addison had the tone of Zep singer Robert Plant but not quite the power and the range. But despite this, it was a show for the fans of Zep, no one could doubt that.Top honours, however, go to drummer Graham Twist for what can only be described as a powerhouse performance, filling in the shoes, or rather the drum throne of the late and great John "Bonzo" Bonham, whose death lead to the splitting up of Zep in 1980.Right from the off, he had Bonzo's triplet-filled style down to a T, complete with a stunning version of Bonham's famous Moby Dick solo at the end of the first half which left several jaws dropping.

An encore of Kashmir and Whole Lotta Love, complete with the swooping sounds of a live theramin, brought over two-and-a-half hours of concert to a rousing close.

By the end, Tavistock music fans had climbed the Stairway to Heaven, knocked on the pearly gates, been let in and had a great time.

Andew Segal, BBC Radio Devon

The Wyvern Theatre, Swindon 27.1.2002

Whole Lotta Led can currently be seen around the country on their Led Zeppelin IV 30th anniversary tour.

Singer Lee Addison joined Whole Lotta Led from Celebration Day, another Led Zep tribute band. Whole Lotta Led are promoters of the ABC Trust charity of which Led Zeppelin guitarist Jimmy Page is a patron. The band met Jimmy Page at a charity launch reception and he gave them his blessing.

The professional tribute band is that curiously '90's phenomenon. The Australian Doors and Abba-a-likes Bjorn Again got the ball rolling and since then hundreds of bands have emerged to the degree that most 'name' acts old and new can boast of a doppelganger.

Led Zeppelin are surely ideal candidates for the tribute treatment. One of the biggest rock acts of all time, they dominated the seventies before imploding in 1980 after the untimely alcohol-related death of legendary drummer John Bonham. Since then, something of a myth has been built up around them as the remaining members never reformed for more than the occasional one-off gig such as Live Aid. Their back catalogue continues to sell by the bucket-load and their timeless music still appeals to discerning rock fans of all ages.

Whole Lotta Led have played in Swindon several times but word of mouth is spreading as they have now outgrown the pub circuit and rather impressively, find themselves three-quarter filling the Wyvern Theatre.The purpose of this tour is to pay tribute to the 30th anniversary of the sublime Led Zeppelin IV by playing the album in its entirety. As a die-hard Zep fan, this I had to see.Whole Lotta Led are not a look-a-like tribute act. They make no real attempt to resemble the original band and this doesn't matter a bit. Like all the classic acts, Led Zeppelin let the music speak for itself, they didn't rely on gimmicks and that is what they are best remembered for. Whole Lotta Led duly follow suit.

Opening with an infectious "Good Times, Bad Times", the lead-off track on Zeppelin's debut album, it soon became clear that Whole Lotta Led are pretty much the next best thing to seeing the definitive article.

For the first segment of the show we were treated to a superlative selection of songs from Zeppelin's first three albums including a fantastic rendition of "Since I've Been Loving You" which allowed guitarist Nick Ferris to show what a great blues player he is. Robert Plant has one of the most unique and impressive voices in rock but Whole Lotta Led vocalist Lee Addison perfectly emulates the 'asthmatic on helium' tones of Percy Plant at his best. He made for a likeable frontman with chirpy comments to the crowd between songs which revealed an almost reverential attitude to the original band. In fact, he seemed at great pains to point out that no one could sound or play like Led Zeppelin and that Whole Lotta Led's intent is just too celebrate the music. If this was to pre-empt any possible heckling from Zep purists he needn't have worried, the crowd lapped it up.

Their performance of Led Zeppelin IV seemed to fly by and perhaps the best compliment I can pay them is that I regularly felt the old familiar goose-bumps on the back of my neck during personal favourites like "Four Sticks" and "When The Levee Breaks". Their brave attempt at "The Battle of Evermore" was only stymied by drummer Graham Twist's ill-advised stab at singing Sandy Denny's guest vocal on the original track. However, what he lacks in the vocal department he certainly made up for with his mastery of the kit. Bonham himself would have applauded the lengthy drum solo during instrumental "Moby Dick" earlier in the set.

Although the band added the occasional personal flourish to what they were playing, all the Zeppelin songs they performed were recreated incredibly faithfully even down to guitarist Nick Ferris expertly manipulating the theramin during Whole Lotta Love.

My only real complaint is that no material was played from my personal favourite album Houses of the Holy. Surely they could have slipped in "Over the Hills and Far Away" in place of "Achilles Last Stand" from the later (and lesser) album Presence.However, what can I say, other than if you are a Zeppelin fan you won't fail to enjoy Whole Lotta Led.

Daniel Garrett, BBC Wiltshire Sound

The Wyvern Theatre, Swindon 27.1.2002

Tonight's show was all about Led Zeppelin's most famous album, Led Zep 4, Four Symbols, whatever you like to call it!Whole Lotta Led are one of the town's favourite tributes having first played back in '97 at The George, but, even I thought that The Wyvern was a bit of an ambitious step to take, how wrong I was. Over 500 people turned out to see the show and what a show it was, sometimes bands who try and take the next step can look lost on the bigger stage, but Whole Lotta Led looked more than at ease with great backdrops and lighting, setting the mood for a great nights entertainment.

The first half saw the band concentrate on the early zep albums with tracks like 'Dazed And Confused' sounding every bit as good as it would of, if it had been Planty and Co onstage themselves.

It was the second set where the band really shone, Zep 4 is one of those albums that every rock fan should own, a true classic in many peoples view, The Greatest Album Ever! and Whole Lotta Led played it all, every track in the correct running order. Even drummer , Graham Twist, joining in with the backing vocals on 'Battle Of Evermore' a part sung by Sandy Denny on the album, with a couple of tracks from the later albums bringin the show to an end. The band left the stage, returning to huge applause to seal a great show off with a wicked version of 'Whole Lotta Love' complete with lead kicking solo at the end, nice one Nick!

Classic tribute to a classic band.

Tim, Knight Out Magazine

The Point, Cardiff 12.1.2002

Whole Lotta Led simply sauntered onto the stage at The Point in Cardiff Bay, but as they did so they created a presence that other tribute bands could only aspire to. So confident are they in their own ability that they do not even feel the need to look like the band they imitate. In one second this small venue felt like an auditorium as Lee Addison's electrifying vocals penetrated the airwaves. Robert Plant is certainly not the easiest singer to cover. However, Addison imitates him with perfection. Not only does he sound like Plant, but he sounds like Plant after he's had a week in the studio to get it right. It is a wonder that Addison does not suffer from repetitive strain injury of the vocal chords as he screams and wails and sends a shiver down the spine of every member of the crowd. For a tribute band, especially one covering a group as unique as Zeppelin, a good lead singer is vital.

However, the other members are equally as important. Jimmy Page has ensured that he is one of the most difficult guitarists in the world to copy. Nick Ferris must be one of the only men to show no fear as he attempts this gargantuan task. With a lead guitarist like Ferris, it is no wonder that Page is such a self-confessed fan of this band

.Geoff Hunt, standing slightly back and out of the spotlight, is certainly no less capable. He may not crave the limelight, but his excellent bass play effectively draws him to the front of the stage.

Perhaps, though, the most exceptional member of this group is drummer Graham Twist, whose solo during Moby Dick had the crowd awestruck. A very receptive and energetic crowd suddenly converged at the front of the platform and transformed into a dumbstruck huddle. For a drummer of such a young age to play at such an awesome level is quite incomprehensible. The majority of today's high profile bands do not have a drum player who could even compete with Twist.

The gig became even more rock and roll when one of the stacks fell over, striking Ferris, and causing a twenty minute delay. When the band reappeared, they continued with rhythm and gusto, as if they'd never been away. For the crowd, the event was like stepping back in time. This night saw a heart warming performance from a very humble band who wear genuine smiles and transmit their infectious delight as they play the music that they, and the crowd, obviously adore.

To hear such great music, from an era long gone, performed so well, was an absolute treasure.
Whole Lotta Led - always welcome in Cardiff.

Jimmy Williams

The Woughton Centre, Milton Keynes, 7.12.2001

'I was fortunate enough to chat to vocalist Lee Addison and Lead Guitarist Nick Ferris. To my amazement, I discovered that Lee is 6 years younger than me and Nick is a whopping 10 years older! Both the guys were only too pleased to chat and are both great fans of the original supergroup. We chatted for quite a while before the gig and again after they had finished their gruelling sets. I say gruelling as their time on stage was the longest I've seen for a tribute band, but in saying that the guys looked as though they have the times of their lives on stage!

They did a three set performance, the first being a collection of tracks from the first 3 Led Zep albums. The track list is just a little beyond my memory now (nearly 5 months on!) but they blew me away!

Second set! Only one word and that's unprintable! They say soundalike and boy do they mean it! The whole of Led Zep IV in it's entirety and album order too! Anyone who has a liking for the original just HAVE to see this band. I'm not surprised that Jimmy Page sponsors/supports them. (Wish he had showed, but then I may have ended up hospitalised!)

Final set. A selection of tracks from the rest of the Zep collection. Just as blinding as the first two sets. These guys are incredible.

With tracks played like Black Dog, Rock And Roll, Dazed and Confused and the ultimate anhthem Whole Lotta Love (Top of the Tops original theme tune!), these guys are guaranteed to blow the mind of even the most ardent Led Zep freak (me included).

If ya never got to see the originals, this is the very next best thing!

Cheers guys and look forward to seeing you back at the Pitz on the 7th June 2002.

Be there or be dead from the neck upwards!'

Dave Tuting

The Fleece And Firkin, Bristol 17.11.2001

"ZEP TRIBUTE HITS THE SPOT"

Whole Lotta Led have achieved a justified reputation as the best Led Zeppelin tribute act around. But marking the thirtieth anniversary of the release of Zep's fourth album (alternatively known as IV, Four Symbols, or Four Runes) by playing the whole album, live, was a real challenge. It is, after all, not just Zeppelin's most famous records, but one of the milestone albums in rock history. It also contains some of Plant and Page's greatest songs including the mighty Stairway to Heaven, but also some incredibly complicated melodic folky acoustic numbers which were always going to be difficult to reproduce live.

Whole Lotta Led, however proved they were well up to the challenge. They began the gig, the first of a national tour, with songs from the first three albums, including stunning versions of Dazed and Confused, Babe I'm Going Leave You and Thank You. But the capacity crowd at the Fleece had come to hear IV, and once vocalist Lee Addison launched into Black Dog you just knew it was going to work.

The most difficult song was always going to be the acoustic Battle of Evermore, but, with drummer Graham Twist taking on the backing vocal (he's no Sandy Denny), Geoff Hunt swapping bass for mandolin and guitarist Nick Ferris playing acoustic guitar, they pulled it off with honours. Lee Addison proved that there is more to his vocal range than just the high octave, high volume rockers. Stairway, a big crowd pleaser in their usual set, was a triumph, as was When the Levee Breaks.

The huge cheer at the end of the set was greeted by obvious relief on stage; so much so that they came back and did a half hour encore.

You felt they would have played until the wee small hours given the chance and the audience wouldn't have complained.

There's little doubt that Plant and Page would have been hard pushed to have marked the anniversary any better than this.

Keith Clark - Bristol Evening Post

The Pavilion, Bath 16.6.2001

Some of the best british rock from the last 30 years returned to Bath on Saturday, in the form of Whole Lotta Led and The Rollin' Clones, a couple of the most highly regarded tribute bands in the business.

The result was a fantastic show of talent, humour and a reminder of how good guitar-based rock once was.

Led Zeppelin mimics, Whole Lotta Led, were first up with a power packed performance that left the audience in no doubt of the lead singer's sincerity when he kept reminding everyone: "We love doing this - it's all we do and we love it."

With an all too short set, the four piece ploughed through Zeppelin's back catalogue, including, inevitably, Whole Lotta Love, Black Dog, and yes, Stairway To Heaven.

With a drums and bass rhythm section of rare quality, a guitarist who clearly worshipped daily at his shrine to Jimmy Page and a vocalist who fronted the band with undeniable enthusiasm, Whole Lotta Led rightly deserve their billing as one of the UK's top tribute bands.

At a tenner a ticket, this was some of the best value entertainment Bath will have seen for a good while.

Ian Waller, Bath Chronicle

"The only Led Zeppelin tribute that matters"

The Tower, Winchester 30.3.2001

"The greatest Led Zeppelin tribute on the circuit. Led Zeppelin themselves would most definitely approve"

The Guildhall, Gloucester

Oliver Twist, Colchester 18.11.2000

Whole Lotta Class Act

This group is widely regarded as the finest replicas of seminal rock dinosaurs Led Zeppelin.In a recent tabloid newspaper (Daily Mirror), they were voted second behind Bjorn Again in the list of top ten real tribute bands.

The opening comment from the lead singer Lee Addison: "No one can play like Led Zeppelin but we'll try 150 per cent" turned out to be an under-estimation.

They were stunning in their authenticity.

Nick Ferris, poised and relaxed, made Jimmy Page's guitar complexities look simple, from the lashings of reverberating FX blues on Dazed and Confused and Since I've Been Loving You to the oscillations in the middle of Whole Lotta Love, creating the sound to near perfection.Occasionally using a custom made twin neck 12 and six string, which was Page's trademark,- he also cut a fine dash in the sort of stage garb Page wore.Lee Addison, in Robert Plant emulation, had a star-shaped tambourine on his arm and occasionally did some mean harp munching.

Whole Lotta Led played 19 songs from Zeppelin's eight album output many instantly recognisable by their opening strains, including Stairway to Heaven - introduced as a song of hope - Black Dog and Rock and Roll.

The band chose to do bIues-based and out and out rockers of the material available to them, remaining shy of any of the acoustic tranquilities of the third album.

Nevertheless Whole Lotta Led are a whole lotta class.

Steve Walker - Colchester Evening Gazette

Fiddlers, Bristol 27.4.2000

When Robert Plant played at The Fiddlers in February he played a set of old favourites, without a single Led Zeppelin number. If you were a Zep fan then you should have gone back to the Bedminster club on Thursday to hear Whole Lotta Led.

For the Led Zeppelin tribute band rampaged their way through two whole hours of the best, and not so best, of the band's music catalogue. And they did it staggeringly well.

Whole Lotta Led are quick to say that they are not a look-a-like band, but they are definitely a sound-a-like band. We had almost the whole range of Zep music including such classics as Over the Hills and Far Away, Black Dog and Whole Lotta Love. We had moody 12-bars and the kind of rockers that had the head bangers in full hair-flying mode back in the Seventies. All that were missing were Zep's many fine acoustic numbers.Singer Lee Addison was only making his second appearance with the band, and boy was he having a ball. As he said at one point "I don't know what it's like down there bit it's f***ing magic up here." You couldn't hear the words, only sounds, but that was always the case with Plant when Zep played live.

Lee was helped by what has become as rockin' a band as you will ever hear. Dazzling and inventive Jimmy Page licks were handled with ease by guitarist Nick Ferris, while Geoff Hunt provided a pounding bass line - and, like John Paul Jones, he played keyboards on a spot-on version of Stairway to Heaven, the inevitable encore number. Drummer Graham Twist drove the whole thing forward in true John Bonham style, though he can only have been about three when Zep did their last live gig!

If you want a whole lotta heavy rocking, Whole Lotta led are back in Bristol on August 5th at the Fleece and Firkin.

Keith Clark, Bristol Evening Post

Queens Tap, Swindon - 6.3.1999

Whole Lotta Led's visit to the Queens Tap saw them play to a packed house again, using what must be one of the biggest PA systems a Swindon pub has seen for ages. They played just about all the Zep classics, which ensured the crowd were kept happy from the first song to the last. This show was the live debut for new drummer Graham and he fitted in perfectly, amazing stuff after only three rehearsals. Particular highlight for me was the song 'Battle of Evermore' great version, mandolin and all, faultless stuff.

Tim, Knight Out